*notcot in
design
-
3 Notes
Flipping through the last issue of V magazine, and as fun as the issue itself was, i couldn’t help but fixate on this recurring object filled font! So, naturally i snapped a bunch of pics to share it with you… it’s filled with iphones and purses and masks and champagne glasses and mittens and snow flakes and trees and sunglasses and rings and shoes and airplanes and more! See more close ups of this font and its various instances on the next page…
TO PAGE 2 of "V Magazine Object Font"! ----->
Tags:
font
-
magazines
-
typography
*notcot in
design
-
2 Notes
Worth: The Evolution of Financial Intelligence. There are two aspects to this article. Firstly the design - which was actually enticing enough to make me not only grab a copy and flip through it, but to then purchase it at its pricey 20$ price tag to further dive into its Monocle sized uncoated/matte velum glossy covered magazine and take pictures to share its interesting layout/design choices with you. So on the next page you’ll find many examples of some of my favorite visual details of this recently updated magazine.
The second aspect is the business of it ~ as you’ll see in the video and press releases from just a few months ago, this 18 year old magazine title was acquired by Sandow Media (of LUXE and New Beauty) in 2008 ~ and only 2 issues ago completely redesigned. Not only in look and feel, but also focus and revenue model. In a time where we are watching magazines close monthly, print dinosaurs falter, and online advertising still finding its legs (at least conceptually!) ~ Worth magazine has taken on an interesting concept lead by publisher Patrick Williams (from the Economist and Conde Nast’s Portfolio - which while also beautiful and infographic heavy, didn’t last long): “The Worth Leading Wealth Advisor Program” where essentially they have wealth advisors underwriting the profits of the magazine by having them thoroughly vetted, and if accepted they pay for an opportunity to write articles for the magazine and have 100 copies to distribute (to their clients and potential Worth future readers?). This is in addition to their advertisements as a revenue stream… and their bold move not to allow subscriptions (unless you are considered a high net worth reader and happen upon a free subscription), the only way to acquire Worth is to pay their $18.95 cover price. And Patrick even says in the Bloomberg interview that “We want to be known as the 20 buck magazine, which makes us the most expensive magazine in America.” Funny thing is when i first landed on their site, the most surprising usability issue i encountered was not being able to find a subscribe button, usually they are huge, flashing, or begging you to click them on magazine sites. I guess not being allowed to subscribe will make some want it even more…?
Business aside. Its a gorgeous magazine, and i am quite intrigued by their layouts and typographic decisions. The paper also feels stunning to hold in your hand, and it’s quite an interesting read… awaiting future issues to see if it holds up. Oh, and i’m smitten by the fact that they have lovely Object of Desire pages. See pics on the next page ~ as well as the Bloomberg video.
TO PAGE 2 of "Worth Magazine: Redesign"! ----->
Tags:
business
-
infographics
-
magazines
-
paper
-
print
-
typography
So after doing the beach thing, i realized i really needed to sit down and do some work between all the running around i've been doing in NY! And i guess the Ace Hotel New York really must feel pretty homey, because i ended up calling up and booking a few nights there to nurse my sunburn and curl up with my laptop to catch up. Of course while here, as the soft opening evolves, i noticed even more awesome typographic details (i also didn't have a chance to show you other rooms i poked around in last time as well!). In addition to what you saw of my room last time... here is a focus on the typographic details i'm obsessing on... instead of a smeg fridge i have one of the mini-fridges in a roadie case... and i LOVE the NOW/NOT NOW magnet (yes! the doors are magnetic!)... and this DESK is fabulous. I want one at home, so nice how it overlooks the bed too so i can still look out the window and work here all day long... so go see the pics on the next page already!
TO PAGE 2 of "Ace Hotel NY - More Type!"! ----->
Tags:
ace hotel
-
hotels
-
new york
-
travel
-
typography
*notcot in
tech
-
0 Notes
Where bad letters go when they die? Ok so they aren't bad ~ but the awesome photography of finnish company, Characters, certainly makes it seem like these are the ones that fell off Sesame Street's letters of the day... only to end up drunk and in an alley all alone? Basically these are recycled - "saved" letters - orphaned when old signage is neglected or discarded... when i saw these over at designboom, i couldn't resist seeing if they had NOTCOT available ~ and then debating whether to get some... it'd look pretty crazy to have your own ex-neon sign graveyard... mis matched reincarnated letters all LED'd out?
So what happens? "When company signs and logos are taken down, they get demolished. We recycle the characters into individual design objects. We dismantle the letters, clean them up, add a new transformer, LED lights and the power cord, and put them back together." See some of the stunning photography on the next page!
TO PAGE 2 of "Characters - Reincarnated"! ----->
Tags:
gifts
-
lighting
-
recycled
-
shopping
-
technology
-
typography
*notcot in
design
-
13 Notes
*notcot in
design
-
3 Notes
Here's another one from the plethora of pics that have been waiting to become posts ~ while traveling with Veuve Clicquot in Reims, we had a special tour in the VCP Maison de Patrimoine (think: amazing archives of the history of Veuve since the 1800's in one room) by Fabienne Huttaux, the Historical Resource Manager. And amongst the many things she showed us (like the originals of the first shipment ever made, which was to Venice, and the first invoice to the USA, including some as movie props...) ~ i was most fascinated by the evolution of the labels! With full white glove treatment, we were shown this little book that housed every label variation since the beginning, long before the signature yellow label was even yellow... personally my favorites are the oldest ones, with elephants from the trading company logos distributing them. In addition to label imagery, you can also get a peek at the shelves and shelves of resources, as well as closer looks at some of the documents i mentioned, the typography not only on the documents but the spines of the archives were stunning, and make me wish we were still trained as thoroughly to have perfect cursive handwriting.
TO PAGE 2 of "History of Labels: Veuve Clicquot"! ----->
Tags:
france
-
luxury
-
typography
-
veuve clicquot
*notcot in
design
-
2 Notes
*notcot in
design
-
8 Notes