Wow. Apparently David Barsalou has spent the last 25 years of his life going through every illustration in over 30,000 comic books…. in order to find the original sources of Roy Lichtenstein’s pieces! Here are some of my favorites ~ more can be seen on David Barsalou’s Deconstructing Roy Lichtenstein page as well as his flickr. Noticed this over at Life Lounge.
Hehehehe. Ok this 2am, this made me giggle. So maybe “we” (yes, you too perhaps!) have a bit of an internet addiction going on. Luckily i’m not yet as bad off as Dilbert here… but those occasional iphone/pearl hits are critical even when happily exploring the real world.
It’s never too early for Christmas is it? I thought the old rule was that all the holiday goodies came out after Thanksgiving… but we’re not even quite at Halloween. None the less ~ the Breeding Ground has designed some holiday cards that make things a bit more playful for the recipient. A beautiful X’mas is what you make of it. Opening the packet you get a stack of pop out and build yourself creatures, santa, etc… and you can arrange them as you wish. And if you write a message or draw on them, you further transform them into whatever you wish. Images of the whole process below!
Mmmmm crazy gamer art that inspired the actual games. Into The Pixel “is an exploration and celebration of the art of the video game, curated by interactive industry veterans and experts from the art establishment.” This year it showed at E3 in santa monica, then the Toronto Film Festival, and its currently showing at E for All in LA. I went through the last few years, and even out of those these three still amuse/inspire me the most. Then again… i do have a thing for the crazy artsy games (i.e. Rabbids! Dewey! Viva Piñata! Katamari! etc…). What’s really interesting about these piece are that they are often pre-video game (or during) development, and are made my the art directors and designers working on the games. For example this Rabbids one is by Florent Sacre, the Art Director for Rayman Raving Rabbids. Dewey one is by Shigechy. And the Viva Piñata piece is by Ryan Stevenson - “a veteran of Rare projects like It’s Mister Pants! and Banjo-Kazooie: Grunty’s Revenge, [he] made his name as the concept artist behind the vibrant and unmistakable Viva Piñata.”
On a sidenote: while researching i discovered the IGN Raving Rabbids blog from before the game came out, with some incredible behinds the scenes imagery and hilarious shots of the game makers and their rabbids… so some peeks at that below as well as full sized images of the crops above.
Joshua Targownik has left me speechless. This guy emails in saying “I am a professional photographer who shoots products for Reform School. I recently shot the exterior and interior for Los Angeles Magazine. Take a look and see if you’d like to use a better image for your post.” (referring to NOTCOT.org #6732)… and at first i’m thinking, wow, no one’s ever really written in to suggest a better picture before, and first thing in my mind is “uh oh, i wonder if the picture up is REALLY bad!” OR… “maybe this guys images are better,… or he just wants us to look at his portfolio?” YES i’m a bit jaded these days, people send some weird stuff to try and get written about ~ some are quite shameless. BUT. Joshua Targownik’s images are GORGEOUS. Reform School looks like this picture perfect dollhouse filled with goodness. And instead of trying to justify why i’m posting them, even though Reform School is already linked on .org… well look how pretty he made it? I couldn’t help myself? The images are so inspiring. So, i’m thinking… next time we need to shoot things in LA, we may have to call up Joshua and beg him to help us look pretty.
Also the Reform School’s redesign is really beautiful in that playful collagey way that we love so much ~ so thrown a screenshot of that below as well. And it figures that it was designed by ALSO ~ who also did Design*Sponge’s new site and all the Busy Beaver stuff i love.
Saw this over as NOTCOT.org #6720 as posted by Daniela Sammartino and the image has been stuck in my head all day. I love these World Wildlife Federation ad campaigns that utilize the existing surroundings so well… remember the one where the shadow cast throughout the day on the billboard showed the ocean levels rising? Here we have a paper dispenser with south america cut out, and green foil to tint your view… clearly conveying that with every piece of paper you take, you’re taking away from the greenness of south america. How multisensory and engaging beyond a simple sticker/poster. By Saatchi & Saatchi, Copenhagen, Denmark.
My only other question ~ doesn’t the paper itself look green? Why the need for the green foil? (As it says over at I Believe in Advertising)
Wow. This packaging is the most brilliant way to package a hearing aid i’ve ever imagined. Feel free to jump ahead and view the video below of the seemingly simple packaging in action… and then come back to finish reading. Basically for those who can’t hear… how do you help them experience a sound before even getting to the hearing aid within? You show them a soundwave. In action. They have used the plastic sleeve around the box to create the illusion of an animated soundwave as you push the interior box out. Not to mention the simple black and white nature of the design is just classy. My only problem with this design? I can see it being far too fun to just slide the box in and out to watch the soundwave move, and thus it would take too long to get to the actual hearing aid. I love this. Design is by Copenhagen based design studio Goodmorning, for Widex “high definition hearing”.
Click the images to see more! WOW. So that first pic is the Sony Bravia commercial for Egypt… they tossed more spools of thread down than i can count, and it is an incredible sight. While the bunnies were cool… watching that much thread come spinning down the side of pyramid just made my jaw drop… much like the bouncy balls and the paint! Anyhow, here are a few NOTCOT.org goodies to help you catch up/kick start the week. Happy Monday!
*Snicker* Yes, I love the cheeky title. Hand Job: A Catalog of Type by Michael Perry (published by Princeton Architectural Press) is full of unique and quirky hand-drawn typography. It makes me remember the days of junior high when I was trying so hard to establish my handwriting style, the years in high school when I embellished the letters on the notes I wrote to friends, and the random doodles that ended up on the margins of my lecture notes in college. Fifty-five typographers and graphic designers, including Geoff McFetridge and Deanne Cheuk, are featured in the book, and they are all listed in alphabetical order. Their names appear at the bottom of the pages which I found pretty handy for reference. Great to flip through for some quick inspiration, and I definitely want to start drawing words again to balance out the computer-based work I do! Some of my favorite pages from the book after the jump!
Living in New York, I don’t get to fish much, but Sean and I both grew up fishing with our dads and have a healthy appreciation for an idyllic day on a river or lake. I would love to have Christina Angliker’s Fishing Knuckles - basically a bum’s fishing kit that you can keep with you at all times. Not only a fishing rod, Fishing Knuckles is a protective device and a fashion statement. Though, it might be a bit more fashion than function - I’m not sure how you could reel in a fish without cutting your hand on the line. Christina recently graduated from Pratt and her website is definitely worth checking out - I appreciate that she includes so much of her process on the site. Also, her Peace Buttons shown below are a beautiful physical interpretation of a “wound”…
p.s. if these feel familiar, these were also seen as NOTCOT.org #1599 back in the day.
Wow. I think i just spent an hour looking at random vector logo cliparty designs for stamps, pillows, and buttons over at Ambassador Stamps that showed up in NOTCOT.ORG submissions from Jensche (it’s been fronted! But was so cool it needed a proper post as well). Basically these brilliant Swiss folks have been designing quite the playful selection of gorgeous graphics that you can choose for a stamp, throw pillow, or button… since 2002! There are basic graphics, and there are ones which you can customize with your slogan, company name, etc. And even cooler? You can fork over 89 euro, and give them your company name… and cross your fingers, close your eyes, and then see what you get in about 10 days. No refunds. But from the looks of the randomness they design that is SO fun, i’m extremely tempted. Best case scenario? You pay a mere 89 euro for the logo of your dreams? Looks like even Coudal has made one. [Beware: the UI is a bit messy ~ but the site is quite pretty.]
Ok, so enough about the really fun designs… now for the packaging and product, these aren’t just ANY stamps, they are uniquely shaped cone like stamps that are contained in screw capped ink pods of sorts (ink pad in the bottom). And they are packaged in specially designed cardboard boxes! (images of all that below). Sooooo tempting.
These Eames Hacks cracked me up as soon as i saw the images over at Core77. This project is by Department of Industrial Design at The University of the Arts, Philadelphia’s students: Jared Delorenzo, Tim Peet, Alexandra Temple Powell, Tom Reynolds, Alie Thomer, and Andrew McCandlish. “These two pieces, the Eames toilet chair and the Eames child seat, are about breaking the status surrounding high design objects. Through physically invasive alterations, these once iconic, elite, forms are liberated from their old, restrained image. The project is not a critique of the Eames, but rather a fulfillment of their original ideals.”
How appropriate for this Eames 100th Anniversary. Also loving the way they cut the high chair leg holes… and that toilet is hilarious. More below!
The extravagance of the Neiman Marcus Christmas Books are always an annual visual indulgence for me ~ majority of the pieces being laughably gaudy… and always a few that i covet (for my fantasy world)… it has become ritualistic page flipping, much like the annual IKEA catalogs. This year with their 100th Anniversary, it’s only MORE over the top ~ and as always, their fantasy gifts don’t disappoint ~ with everything from the $100,000 Touch Screen “Media Wall” to the Treetent hanging pod and a Swami “conversational robot”… But my favorite? The 100 ft long Dragon Topiary constructed from 15 indigenous plants… next year i’d need the moat to go with it… and then a castle? More pics below ~ and also of my *other* hopeful prediction of comebacks… the Steamer Trunk! I’ve been coveting an old style one to accommodate my trips where i throw my life in my car and take off for what can be anything from a few days to a few months… must have a way to stash it all nicely, like a pop up insta-closet. But check out the Steamer Trunk Bar below…
Rodrigo Bruna just sent in some images from Reconstruccioniepce which is showing at the Museo Nacional de Bellas Artes Curated by Angélica Peréz Germain - October 5 – December 3, 2007. If he sounds familiar, you are probably remembering our previous coverage of his incredible Toast “painting”. Believe it or not, this too is made from toast! Here is his description of the piece:
“The first photography of a landscape was taken by Niepcé in 1826. The particularity and beauty of this image triggered my attention to work with it. In the middle of 2006 I initiated my research and creation project titled Reconstruccioniepce. Through spatial and objetual projects I developed a reflection of this image and the fragility of the reconstruction processes. The material chosen for these works was bread, and the action was toasting. It is not longer the sun which fixes the images, but the vehement fire that fixes the vestiges of a landscape on white slices of bread. This statement defines my system of work and the material and technical displacement I made of the photographic process. Reconstruccioniepce V arises from the destruction realized of a previous version of this work at the Museo de Artes Visuales of Santiago.
The remains of bread that were left from this action are selected and organized in a ornamental border that crosses two walls of the room, proposing a new version of this enigmatic landscape.”
“Doris Salcedo’s Shibboleth is the first work to intervene directly in the fabric of the Turbine Hall. Rather than fill this iconic space with a conventional sculpture or installation, Salcedo has created a subterranean chasm that stretches the length of the Turbine Hall. The concrete walls of the crevice are ruptured by a steel mesh fence, creating a tension between these elements that resist yet depend on one another.” Love the images of this latest exhibit at the Tate Modern. Found this over at DesignBoom.